Off-Site Programming
Off-Summit and Co-organizers programs will activate venues across Ubmeje/Umeå during the week of the summit, giving delegates and local audiences an opportunity to experience the richness of local artistic programming. Explore a selection of upcoming events below, and check back as additional programming is announced.
EXHIBITION | FUTURE CARTOGRAPHIES: Rúrí + Elena Mazzi
FUTURE CARTOGRAPHIES: Rúrí + Elena Mazzi
Galleri Verkligheten, Pilgatan 16 Umeå
10-18 June 2026
Future Cartographies investigates the condition of complexity and rapidly transformation of geographies within and beyond the arctic. It is a dialogue between the work of two artists, Rúrí and Elena Mazzi, engaging with spatial research through artistic practice. Their approaches intersect art and architecture as a spatial science as a way of reading and interpreting territorial changes.
The cartographies are conceived as a critical lens for understanding infrastructures, territories, and resource extraction systems, a spatial tool envisioning new narratives through documentation, data interpretation, and visual translations.
The exhibition is organized by Umeå School of Architecture, in collaboration with UmArts research centre and Galleri Verkligheten, and curated by Maria Luna Nobile as one of the contribute of the EURAU26 LATITUDES Symposium Situated reflections on architectural research.
Artist Biographies:
Rúrí (Iceland, 1951) is a visual artist whose art focuses on the human kind and it’s relation to the Earth and the Cosmos. Since 1999 many of her works raise questions about water, shortage of safe water for consumption, but also the possible effects of icecaps melting on shorelines of continents and countries. These works are based on scientific information. Her works have been exhibited widely around the world. Rúrí has received a number of awards for her art, and was recently awarded the Icelandic Visual Arts Council´s Honorary Award 2026.
credits: ph. giulio lapone
Elena Mazzi (Italy, 1984) is a visual artist, working with specific geographical and socio-political contexts. Her works have been displayed in many solo and collective exhibitions all over the world. She attended several residency programs, and she is the winner of various art prizes. In 2015 she started to lead workshops in collaboration with Institutions, Schools, Academies. She is currently a PhD candidate at Villa Arson and Université Côte d’Azur, Nice.
Calendar & Opening Hours:
Opening (18.00) 19.00 to 22.00
10 June Wednesday 19.00 to 22.00
11 June Thursday 14.00 to 18.00
12 June Friday 14.00 to 18.00
13 June Saturday 14.00 to 18.00
14 June Sunday 13.00 to 17.00
15 June Monday 14.00 to 18.00
16 June Tuesday 14.00 to 18.00
17 June Wednesday 14.00 to 18.00
18 June Thursday 14.00 to 18.00
EXHIBITION | house_Flow Counter Move
house_Flow Counter Move
Location: UmArts Research Studio, Östra Strandgatan 32D, Arts Campus, Umeå University
Time: 10-18 June 2026 14.00-18.00
Tonia Carless’s collaborative visual research investigating house moving in Västerbotten and Norrland will be exhibited in the UmArts Research Studio on the Arts Campus, Umeå University. The project investigates wholesale structural moving of buildings in the north of Sweden, documenting over 400 moves made by one house-mover (husflyttningar), a common practice in the circumpolar north.
The exhibition presents a moment of destabilisation of the abstract representations of architecture through temporal mapping and shifting perspective. This mass spatial reconfiguration of buildings creates a speculative exploration of climate, economic and infrastructural change, outside of the planning process. The installation includes the new work The Film the House Made, from the point of view from a window of a moving house, looking out across the northern Swedish landscape, territorially fluid but inhabited, immersed and embodied in a circular economy.
The project proposes structural house-moving as an architecture of de-growth, and that all buildings can be moved.
Opening
house_FLOW Counter Move will open 10 June 13.00-14.00 at UmArts Studio (Östra Strandgatan 32D, Arts Campus, Umeå University), with remarks at 13.30.
The exhibition takes place as part of the Latitudes conference at Umeå School of Architecture, and as part of the off-summit program for the Arctic Arts Summit, and is produced by Tonia Carless and Robin Serjeant with: Sonja Lindgren, Cinematography; Magnus Mårtensson, Töre Husflyttningar; Callum Cording, UWE Digital Cartography; Paul Revell, UWE Printing. With support from: SWECO FFNS Foundation for Research, Development and Education, University of The West of England, Umeå School of Architecture, UmArts. The project was initially developed through an UmArts Small Visionary Project Grant in 2021, and was first shown at the 2025 Copenhagen Architecture Biennial. The exhibition is accompanied by the publication Wide Load (Bred Last) A House Moved (Carless, Serjeant, Roush, 2023) with essays by James Benedict Brown and Matthew Hyman, MSDM publications.
Dr. Tonia Carless is an artist-architect investigating spatial political of architecture and the circular economy through drawing and visual practice. Her practice based research centres on uneven development and architectural representation. Since 2021 Carless has collaborated with UmArts and Umeå School of Architecture on a research project on moving buildings. She is Senior Lecturer in Architecture at the University of the West of England Bristol UK, and previously Associate Professor at Umeå School of Architecture.
EXHIBITION & ARTIST TALK | Opening Art Exhibition RANOR / Artist talk with Johdet Pirak
Opening Art Exhibition RANOR / Artist talk with Johdet Pirak
Tuesday, June 16 | 12:15–13:00
Lavvu, Rådhustorget
Welcome to the official opening of the exhibition RANOR followed by an artist talk with Johdet Pirak. The artist duo consists of Lina Johdet and Kristoffer Unga Pirak based in Jokkmokk, Sápmi. Their art is rooted in cultural heritage and rural life in the north where storytelling is central. Nature is an important part of their art and urban subcultures have raised them as well as the Sami and Tornedalen heritage. The talk is hosted by Madelaine Sillfors, an artist from Giron now based in the south of Sápmi.
The exhibition shows ranor in varied outdoor settings and takes place outside along the aveny of Rådhusesplanaden, in the heart of Ubmeje. A rana is a woven striped woolen fabric that was traditionally used as a blanket and lavvu cloth. It has its origins in Sami and Tornedalen culture but is today native to the entire Sápmi.
RANOR is presented by Konstfrämjandet Västerbotten (the People’s Movements for Art Promotion Västerbotten) in collaboration with Umeå municipality and the Arctic Arts Summit.
Konstfrämjandet Västerbotten is a independent non-profit organisation for promoting contemporary art. We see art as a way of rethinking society and ourselves. With collaboration as our starting point, we work with the mission “art for everyone” together with our member organizations and other art promoters, from individual artists and various culture organisations to municipalities and other agencies. Konstfrämjandet is a national organisation in Sweden with a total of 20 districts where Västerbotten is one of 5 districts in Sápmi.
EXHIBITION & SYMPOSIUM | Relate North: Show and Tell
Relate North: Show and Tell
Project Space, Umeå Institute of Design, Arts Campus
17 June 2026
13.00-15.00
The Arctic Sustainable Arts and Design network (ASAD) will host Relate North—its annual symposium and exhibition—under the theme Land, Power, Art. Presented in collaboration with Umeå University, UmArts, and the University of Lapland, this event advances ASAD’s commitment to fostering innovative approaches to learning, teaching, research, and knowledge exchange in art, design, and visual culture. Through fostering collaboration between academic institutions and northern communities, the network seeks to deepen understanding of critical issues shaping life in the Arctic and the circumpolar North.
This side event—Relate North: Show and Tell—will present artistic works and research posters in a dynamic, pop-up art exhibition format. Instead of a traditional gallery environment or the traditional presentation format, the event unfolds in an open, conversational space designed to support informal encounters and shared reflection. Artists and researchers will be present with their works, offering participants direct access to the creative processes, questions, and embodied knowledge that shape their practices. This format highlights how art and artistic research generate situated and relational understandings of northern experiences, cultures, and landscapes — often through subtle but meaningful micro-changes that emerge through participation, dialogue, and iterative making. By bringing diverse practices into a shared, interactive setting, the session encourages spontaneous dialogue and fosters new connections between makers, viewers, and communities. Relate North: Show and Tell celebrates artistic creation as a form of knowledge that is open-ended, process-driven, and grounded in relationships to land and place.
Aligning with the AAS theme “Land, power, art,” the session focuses on micro-level changes emerging from participatory, community-driven art and design research, as well as innovations in art and design education across the North. Each year, Relate North brings together leading scholars, artists, and designers from across the Arctic to examine urgent questions through creative and research-based practices. The symposium and art exhibition explore how art and design respond to the challenges facing northern and Arctic communities: How can art or design practices engage with relationships to land and address the power dynamics shaping resilience and adaptation in northern communities? In what ways does art reveal, question, or reconfigure the power structures embedded in northern landscapes, histories, and cultural narratives? How might art express the entanglement of Land, identity, and authority, and help articulate diverse northern senses of place?
The event will be followed by a fika and Teaching Art in the Arctic.
Presenting Posters
Nicole Klenk, Helene Day Fraser, Emily Carr, Sarah-Anne Thompson, Suvi Autio, Aidan Moesby, Hanna Olafsdottir, Mette Gårdvik, Wenche Sørmo, Karin Stoll, Ann Kristin Klaussen, Timo Jokela, Fernanda Jasmin Guimarães, Karen Ross, Lisa Nyberg, Malla Alatalo, Roxane Permar, Dr Siún Carden, Helen Garbett, Olga Shirokostup, Ekaterina Sharova, and Johanna Ruotsalainen.
Artists
Olga Kisseleva, Michelle Calcatelli, Mirja Hiltunen, Korinna Korsström-Magga, Ante Jalvela, Nicole Klenk, Helene Day Fraser, Emily Carr, Sarah-Anne Thompson, Suvi Autio, Mari Keski-Korsu, Eija Mäkivuoti, Niko Väistö, Ruth Beer, Emily Carr, Hanna Olafsdottir, Mette Gårdvik, Wenche Sørmo, Karin Stoll, Ann Kristin Klaussen, Timo Jokela, Lotta Lundstedt, Sara Rylander, Isabelle Desjeux, Lena Lundstedt Syversen, Stina Back, Lars Lundstedt, Johan Ahlner, Lisa Ahlner, Klara Ahlner, Torun Lundstedt, Tyra Rylander, Annie Bergström, Nina Mattsson, Roxane Permar, Dr Siún Carden, Helen Garbett, Polly Blake, Ni Lin, Brogan Davison, and Pétur Ármannsson.
PUBLIC ARTWORK | This Is Arctic Land
This Is Arctic Land
in collaboration with UmArts and Tráhppie
Location: Tráhppie, UmArts Studio
Time: 12-18 June
This Is Arctic Land is a series of public interventions in Ubmeje/Umeå by artists Jérémie McGowan and Amund Sjølie Sveen. Realised in collaboration with UmArts and Tráhppie, the project takes form as a large banner on the facade of Tráhppie, a collection of signs outside UmArts, a monumental billboard in the city square, and a limited-edition DIY stencil kit in the Arctic Arts Summit conference pack.
Borrowing its rhythm and form from the well-known slogan “This Is Sámi Land”, This Is Arctic Land pays homage to the importance of protest for land, self-determination and identity, in support of Ubmeje/Umeå in Sápmi. The project both addresses and participates in the processes of “Arctification” occurring in many northern areas today. Who chooses to be(come) part of the Arctic, or (re)brand themselves as “Arctic”, and to what ends? What is at stake, and what does it mean?
Artists:
Jérémie McGowan (PhD) is a designer, artist and punk rock bass player based in Romsa/Tromsø. His work spans objects, ideas, museums and provocations, rooted in critical-creative perspectives and social engagement. Together with Anne May Olli and RiddoDuottarMuseat in Kárášjohka, he is co-creator of the ‘museum performance’ Sámi Dáiddamuseax (2017). Current projects include Arctic Armpit, a one-man punk band (2021–), and Real. Arctic., a multimodal art and archival project realised in collaboration with Amund Sjølie Sveen / NORDTING (2023–). Jérémie is currently a postdoc researcher with SAMFORSK at UiT – The Arctic University of Norway.
Amund Sjølie Sveen (b. 1973) is an Arctic artist, writer and researcher from Vadsø, Northern Norway. He is the artistic director of NORDTING – The Northern Assembly. His work has for many years focused on the narratives and power struggles in the north, taking the Arctic as a starting point for investigating both local and international issues in our globalized world of market economy. He is a regular participant in public debates, and is associated with the Arctic University in Tromsø as a researcher.
PUBLIC ARTWORK | The Reindeer-Lion, sculpture by NORDTING, downtown Umeå in collaboration with UmArts
The Reindeer-Lion, sculpture by NORDTING, downtown Umeå
in collaboration with UmArts
Location: Renmarkstorget
All the Nordic kingdoms have lions as their guardians. Lions have little to do with the Nordics, and even less to do with the Arctic. But the lion is an ancient symbol of the king and royal power. In front of the Norwegian Parliament, the Swedish Royal Castle and the Danish throne, there are lions in granite, bronze and solid silver. They are guarding the king, the church, and centralized power.
Those lions must lose their heads, and get new ones.
The Reindeer-Lion is the Circumpolar North’s own creature. It has a body of power, but with a completely different head; it thinks differently, it has a different agenda. The Reindeer-Lion is the sphinx, griffin and guardian spirit of the North.
The Reindeer-Lion will be unveiled on Renmarkstorget in central Umeå/Ubmeje.
Artist Biographies
Jérémie McGowan (PhD) is a designer, artist and punk rock bass player based in Romsa/Tromsø. His work spans objects, ideas, museums and provocations, rooted in critical-creative perspectives and social engagement. Together with Anne May Olli and RiddoDuottarMuseat in Kárášjohka, he is co-creator of the ‘museum performance’ Sámi Dáiddamuseax (2017). Current projects include Arctic Armpit, a one-man punk band (2021–), and Real. Arctic., a multimodal art and archival project realised in collaboration with Amund Sjølie Sveen / NORDTING (2023–). Jérémie is currently a postdoc researcher with SAMFORSK at UiT – The Arctic University of Norway.
Amund Sjølie Sveen (b. 1973) is an Arctic artist, writer and researcher from Vadsø, Northern Norway. He is the artistic director of NORDTING – The Northern Assembly. His work has for many years focused on the narratives and power struggles in the north, taking the Arctic as a starting point for investigating both local and international issues in our globalized world of market economy. He is a regular participant in public debates, and is associated with the Arctic University in Tromsø as a researcher.
PUBLIC ARTWORK | Real. Arctic.
Real. Arctic.
in collaboration with UmArts and Tráhppie
Location: Tráppihe Sámi Cultural Centre, Gammlia
12-19 June, 12.00-16.00
Location: Kommunhörnan, Väven
13 June: 13.00-15.00 (Opening)
14 June: Closed
15 June: 10.00-19.00
16 June: 10.00-19.0
17 June: 10.00-19.00
18 June: 10.00-16.00
Real. Arctic. is an ongoing art and archival project by Jérémie McGowan and Amund Sjølie Sveen that occurs at sites across the Arctic, and that takes many different forms. The project is concerned with issues facing the Arctic such as self-determination, power, marketing, geopolitics and self-exoticization.
Real. Arctic. comes to Ubmeje/Umeå in collaboration with UmArts and Tráhppie as an art installation, a tourist shop and a series of performances. Based at Väven and Tráhppie, the project switches between original artworks, archival documentation, mass-produced collectibles and off-the-shelf consumer products. Together, these examine how the Arctic is imagined, marketed and lived today. Real. Arctic. ______. merchandise, a line of designed objects that critically mirror the souvenir industry, is on display – and for sale – throughout the Arctic Arts Summit at both locations.
Clearly, the Arctic is in demand. But who is buying – and who is selling – and at what cost?
Artist Biographies
Jérémie McGowan (PhD) is a designer, artist and punk rock bass player based in Romsa/Tromsø. His work spans objects, ideas, museums and provocations, rooted in critical-creative perspectives and social engagement. Together with Anne May Olli and RiddoDuottarMuseat in Kárášjohka, he is co-creator of the ‘museum performance’ Sámi Dáiddamuseax (2017). Current projects include Arctic Armpit, a one-man punk band (2021–), and Real. Arctic., a multimodal art and archival project realised in collaboration with Amund Sjølie Sveen / NORDTING (2023–). Jérémie is currently a postdoc researcher with SAMFORSK at UiT – The Arctic University of Norway.
Amund Sjølie Sveen (b. 1973) is an Arctic artist, writer and researcher from Vadsø, Northern Norway. He is the artistic director of NORDTING – The Northern Assembly. His work has for many years focused on the narratives and power struggles in the north, taking the Arctic as a starting point for investigating both local and international issues in our globalized world of market economy. He is a regular participant in public debates, and is associated with the Arctic University in Tromsø as a researcher.
PERFORMANCE | BONJU: Mingle & Queer Content
BONJU: Mingle & Queer Content
16 June
20.00-late
Scandic Plaza
“Bonju” is a Sámi word meaning crooked, not straight, reclaimed in a similar way to “queer”.
BONJU opens a queer-centric space within the Arctic Arts Summit 2026, featuring a curated programme of grad and live performance by Sámi and queer artists, followed by a mingle.
Hosts and lineup to be announced.
Organized by RFSL Umeå together with Garmeres
GATHERING | BONJU: Open Stage & Queer Gathering
BONJU: Open Stage & Queer Gathering
17 June
20.00-lat
Scandic Plaza
“Bonju” is a Sámi word meaning crooked, not straight, reclaimed in a similar way to “queer”.
The second night shifts into an open-stage format, inviting artists and participants to share performances, experiments and take up space in a queer-centred, inviting and safe environment.
Hosts and lineup to be announced.
Organized by RFSL Umeå together with Garmeres
