Discursive Programming

Tuesday, June 16

Plenary Session 1 – Culture at the Core: Shaping the Future of the Arctic Together

Theme: The Art of Geopolitics
Tuesday, 16 June 2026, 9.00 – 10.30
Idun, Folkets Hus

As Arctic societies navigate rapid environmental, geopolitical, and social change, culture remains a vital foundation for resilience, identity, and cooperation. This opening plenary brings together the Ministers of Culture from Sweden, Norway, and Finland, alongside representatives from across the Circumpolar region, to reflect on the role of cultural policy in shaping a sustainable and inclusive Arctic future.
Framed within the unique context of Arctic Arts Summit—the world’s only and largest platform for cultural policy analysis and professional cultural cooperation in the Arctic—the conversation will explore shared priorities, emerging challenges, and opportunities for strengthened collaboration. How can cultural policy contribute to resilience, democratic societies, and international dialogue in the North? And how can we ensure that cultural voices remain central in times of transformation?
The panel discussion will be led by Maria Utsi.


Speakers

Parisa Liljestrand, Minister for Culture, Sweden

Lubna Jaffrey, Minister for Culture and Equality Norway

Mari-Leena Talvitie, Minister for Science and Culture, Finland

Virginia Mearns, Arctic Ambassador, Canada

Arna Kristin Einarsdottir, Director General, Ministry for culture, innovation and higher education, Iceland

Nivi Olsen, Minister for culture and churches, Greenland

Session 2A – Power, protocols and Indigenous collaboration
Theme: Indigenous Leadership
Tuesday 16 June 2026, 10.45-11.45
Vävenscenen
Host: The Nordic Institute of Greenland (NAPA)

What does respectful collaboration with Indigenous artists, cultural institutions, and communities actually look like in practice?
Across the Arctic and beyond, Indigenous cultural actors are increasingly calling for collaboration built on respect, reciprocity, consent, and shared authority – not extraction or symbolic inclusion. This panel brings together voices from Kalaallit Nunaat and the Arctic to discuss how Indigenous-led frameworks, protocols, and cultural guidelines are being developed across different contexts within the arts and culture field.

The conversation will explore questions of narrative sovereignty, representation, authorship, and decision-making: Who has the right to tell stories? Who sets the terms of collaboration? And how can institutions and external partners engage ethically with Indigenous cultural contexts?
The panel will include reflections from ongoing work in Kalaallit Nunaat to develop cultural guidelines for collaboration with the Indigenous arts and culture sector, alongside experiences from other Indigenous-led initiatives.

Speakers
AneMarie Ottosen (Amo)
is a teacher and a theater maker. She has a teaching bachelor degree from 2012, and an acting education background from the School of Acting in Greenland from 2016. She has been a board member of different cultural boards in Greenland and art funds. AneMarie has been working in the arts and cultural scene for the last twenty years and has been working and collaborating with different people across Greenland but also people from abroad.

Inunnguaq Petrussen is known as a musician, singer, and songwriter, and also holds a master’s degree in social science. This background led him to work with three different political parties over the course of ten years. Throughout his career, he has also been a strong advocate for artists’ rights — particularly for musicians — through both political work and various organizations. Now, Inunnguaq Petrussen is entering the growing world of film as the CEO of the newly established Film Institute of Greenland.

More speaker information to come.

Session 2D – Crafting Knowledge
Theme: Sharing and Shaping
Tuesday, 16 June 2026, 10.45-11.45
Upplev multisalen, Väven
Host Umeå University

This panel brings together artists and researchers who consider different ways in which knowledge is produced through making. Crafting knowledge is a vital cultural tradition that involves using natural, local materials to create both functional, expressive, and symbolic items. This is strongly reflected in Sámi duodji, where craft practices are rooted in close relationships with land, materials, livelihood, and identity. This panel brings together new approaches to heritage craft as knowledge is passed through generations and includes skills in making, often with patterns that hold cultural and symbolic meaning. While traditional forms have been passed down, contemporary artisans also incorporate new techniques and materials while maintaining a deep connection to nature and their heritage. Adopting a feminist perspective, the panel also examines how knowledge embedded in craft has been shaped by gendered practices, highlighting often-overlooked forms of embodied, care-based, and intergenerational knowledge. In addition, the panel invites both speakers and audience members to engage in making during the discussion; participants are encouraged to bring their own craft work and continue working on it throughout the session, fostering a shared space of dialogue, reflection, and hands-on knowledge production.

Speakers

Maria Huhmarniemi, DA, is Vice Dean and Associate Professor at the Faculty of Art and Design, University of Lapland. Her work focuses on art and research that advance cultural sustainability and support sustainability transformations in the Arctic. She develops Arctic art and art education, and has created socially and environmentally engaged art, pioneering arts-based methods to address societal challenges. Huhmarniemi serves as the UArctic Chair in Arctic Art and Design and leads the Arctic Sustainable Arts and Design network.

Lotta Lundstedt, PhD in textile and fashion design at the Department of Creative Studies, Umeå University. In her artistic and research work, she focuses on sustainable practices, material relationships, and the cultural meanings of clothing. Through slow textile processes, themes such as resistance to fast consumption, repetition, memory, and the emotional life of garments are explored. Her doctoral thesis on the aesthetics of aversion examines how textiles and clothing can offer alternative ways of relating to people, materials, and the Earth.

Julia Rensberg is a vytnesjæjja and artist from the southern part of Sápmi, currently living outside Jokkmokk where she has her workshop. She primarily works with traditional duodji in wood and antler, while also creating larger-scale artworks. Julia Rensberg’s life and practice are closely connected to reindeer and reindeer herding, which shape everyday life in Sápmi. Her works often reflects on her Sami heritage and the remembrance and renewal in the aftermath of erasure of culture. Rensberg is currently exhibiting in the Art and Truth Telling exhibition at Gaaltije Saemien Museume in Östersund, Sweden.

Monica Edmondson has an established glass studio in Tärnaby in Sapmi, northern Sweden. Her practice includes public art work and collaborations with architects, which are just as important as her hands-on glass work and extensive art projects. She belongs to the Sami people and describes her use of glass a material to express the coexisting notions of fragility and strength in her people, us humans and our land. Edmondson has a degree is visual arts degree from Canberra School of Art (1999), and is currently exhibiting in the Art and Truth Telling exhibition at Gaaltije Saemien Museume in Östersund, Sweden.

Ekaterina Sharova is a curator, lecturer, and doctoral researcher in Arts and Design at the University of Lapland. Her research investigates the production of knowledge and meaning through artistic and design practices, with particular attention to power and representation. Sharova is the founder of Arctic Art Forum, a research-oriented platform dedicated to engaging with Indigenous and local Arctic narratives and to recuperating overlooked intergenerational knowledge systems. She has presented her research at major international conferences, including ASEEES, the XI ICCEES World Congress, Arctic Congress, and ICASS. In addition to her research activities, she has served as co-editor of Chatter Marks, the magazine of the Anchorage Museum. Sharova is a member of APECS, Polar Club Norway, the Art History Association, and SHERA.

 

Session 3E – Art and Sustainable Development
Theme: Sharing and Shaping
Tuesday, 16 June 2026, 13.00-14.00
Studion, Folkets Hus

This panel introduces artists and art educators working with socially engaged and Land-Based practices embedded in communities to find new and rediscover old ways of sustainable transformation. Contemporary educational practice and research call for a transformative shift toward more humble and sustainable ways of living, recognition of planetary limits, and renewed meaningfulness rooted in relationships with the Land and communities. Indigenous Land-Based Education, along with environmental and place-based approaches, offers valuable insights for this shift. These perspectives emphasise knowledge and learning as inseparable from place and community, understood as interconnected and holistic. Engaging with Land-Based Education supports the decolonisation of education and the renewal of relationships between Indigenous peoples, other Northerners, their cultures, and the Land. Such approaches also hold global relevance for artists and for art and design education. This panel explores how we can recognize the Land as a vibrant and generous teacher in new genre Arctic art and art education.

Speakers
Maria Huhmarniemi, University of Lapland
Maria Huhmarniemi, DA, is Vice Dean and Associate Professor at the Faculty of Art and Design, University of Lapland. Her work focuses on art and research that advance cultural sustainability and support sustainability transformations in the Arctic. She develops Arctic art and art education, and has created socially and environmentally engaged art, pioneering arts-based methods to address societal challenges. Huhmarniemi serves as the UArctic Chair in Arctic Art and Design and leads the Arctic Sustainable Arts and Design network.

Panellists
Timo Jokela, University of Lapland
Timo Jokela, Professor Emeritus of Art Education at the University of Lapland in Fin land, a former Chair of Art, Design and Culture and lead of the thematic network on Arctic Sustainable Arts and Design (ASAD) at the University of the Arctic. His theoretical studies, art and art-based development projects focus on the relationship between northern cultures, art and nature. Jokela has been responsible for several international and regional development and research projects in art and art education. Jokela has presented his art in several exhibitions in Finland and abroad.

Mette Gårdvik, Nord University
Mette Gårdvik is a Professor of Arts Education at Nord University, Nesna, Norway. She holds both a bachelor’s and a master’s degree in arts and handicraft education. Gårdvik is a member of the research group Place-based Learning and Education for Sustainable Development and represents Nord in the University of the Arctic’s thematic network Arctic Sustainable Arts and Design (ASAD). She has held both academic and administrative responsibility for international and interdisciplinary courses at the master’s and PhD levels, including Living in the Landscape, and Lessons of the Land: New Genre Arctic Art and Land-Based Learning, developed in close collaboration with institutions such as the University of Lapland in Rovaniemi, Finland. Alongside her research activities, she teaches design, arts and crafts and didactics across all levels of teacher education.

Gunvor Guttorm, Sámi allaskuvla/Sámi University of Applied Sciences
Gunvor Guttorm is a Norwegian Sami art historian, artist and expert on duodji. She is a professor at Sámi Allaskuvla, and is an honorary doctor of the World Indigenous Nations University. For almost 40 years, Guttorm has promoted studies of the Sami and indigenous peoples around duodji through research and teaching. Guttorm’s research is interconnected with cultural expression in the Sámi and indigenous societies, especially duodji. The focus of her research deals with duodji in a contemporary setting, and indigenous people’s context. She has written extensively about how the traditional knowledge of Sámi art and craft is transformed into the modern lifestyle. In an Indigenous world, she has participated as invited speaker at Indigenous research congresses and participated in exhibitions in Sápmi and abroad.

Shannon Leddy, the University of British Columbia
Dr. Shannon Leddy is a member of the Métis Nation of British Columbia and an associate professor of art education at the University of British Columbia, whose practice focuses on using transformative pedagogies in decolonizing and Indigenizing teacher education. Before arriving at UBC, Shannon taught high school Art, Social Studies, and English. She is the Co-Chair of the Institute for Environmental Learning, along with Dr. David Zandvliet, and her book, Teaching where you are: Weaving slow and Indigenous pedagogies, co-written with Dr. Lorrie Miller, is now available from the University of Toronto Press.

Tarsh Bates, Umeå University
Bates is the UmArts Postdoctoral Research Fellow in Design and Molecular Biology at Umeå Institute of Design and the Department of Molecular Biology. In their postdoctoral research, they have been exploring the roles of odorants generated by microbes through their metabolic processes within ecologies, how these can be understood as interspecies communications and how they are affected by environmental and climate changes.

Northern Belongings: Visioning a Circumpolar Indigenous Archival Network Session  
16 June 2026, 13.00-15.00
Host: Inuit Art Foundation
Oden, Folkets Hus
Open to All


Northern Belongings: Visioning a Circumpolar Indigenous Archival Network

hosted by the Inuit Art Foundation

It’s no secret that the North is collected by the South, a phenomenon that worsens the divide between Northern Indigenous communities and their artistic and cultural materials. And while archives and museums around the world have often decontextualized Indigenous cultural material for a colonial gaze, this project aims to repair that record and support Indigenous cultural sovereignty in the North by creating a sustainable, community-led, digital archive network. Join the Inuit Art Foundation in a discussion of how artwork and belongings can finally, at least digitally, find their way home, drawing attention to the rich connections across circumpolar Indigenous communities bound by parallel histories and common geographies.

Photo Credit: Connected (2023) Copyright Kale Sheppard

Meet the Barents Secretariat Network Session  
16 June 2026, 13.00-15.00
Host: Barents Secretariat
Gere, Folkets Hus
Public


Meet the Norwegian Barents Secretariat!

Is it possible to get funding for your cooperation project? 

Do you live in the northern parts of Norway, Finland, or Sweden and plan a cooperation project with partners from the Nordic region within fields such as culture, education, business, public health and sports, you may be eligible for financial support from the Norwegian Barents Secretariat.


The Norwegian Barents Secretariat supports international cooperation projects across the northern Nordic region, with the aim of strengthening and creating vibrant and sustainable local communities. To qualify for funding, the applicant must be based in Northern Norway and cooperate with a partner from another Nordic country.

Come meet the Norwegian Barents Secretariat for an informal chat if you want to know more about this!

Promo photo credit: SARA AARØEN LIEN

Session 4C – Voices From the Other Side  
Theme: The Art of Geopolitics
Tuesday, 16 June 2026, 14.15-15.15
Tonsalen, Folkets Hus

Russian territory constitutes half of the Arctic, and its population represents half of the people living in the region. Since Russia’s full-scale invasion of Ukraine, large groups of Arctic (including Indigenous) peoples have become nearly invisible in Arctic cooperation. What dialogue can we maintain in a time of war, distrust, and boycotts, without contributing to the normalization of Russia’s war? And how do we proceed to utilize the potential for diplomacy and preparedness in keeping Arctic dialogue functioning across borders of conflict? This session explores the urgent need to include voices from the Russian Arctic, both those currently living in exile and those still within Russia, and examines possible forms of inclusion.


Speakers:

Evgeny Goman is a theater director, curator and producer with the creative collective Pikene på Broen in Kirkenes, Norway. Before 2022, he worked in his hometown of Murmansk, Russia, as a theater maker, cultural entrepreneur, and regional Minister of Culture.  Active in international cultural cooperation since 1995, his work focused on cross-border artistic collaboration and contemporary cultural dialogue in the North.


Maria Lind is a curator, writer and educator from Stockholm. She is currently the director Kin Museum of Contemporary Art, Kiruna. From 2020 to 2023 she was serving as the counsellor of culture at the embassy of Sweden, Moscow. She has been the director of Stockholm’s Tensta konsthall, the graduate program, Center for Curatorial Studies, Bard College in New York, Iaspis in Stockholm, and Kunstverein München. She was the artistic director of the 11th Gwangju Biennale, and in 1998, co-curator of Europe’s itinerant biennial, Manifesta 2 in Luxembourg.  She is the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. 


Neseine is a researcher and an Indigenous person engaged in an interdependent relationship with the world. She practices decolonial queerdom and produces texts as well as other artistic works. Born from the spirit of the time, she creates art of various complexity and searches for meaning.


Valentina Sovkina was born in Lovozero, Murmansk Region, Russia. She worked nearly 30 years in the Lovozero District education system and led the Kola Sámi Radio Company for 14 years, promoting Sámi media, language, and culture. She has long been engaged in public and political activities related to the protection of Indigenous Peoples’ rights. She has long advocated for Indigenous Peoples’ rights through public and political work, focusing on Sámi language preservation, traditional livelihoods, and the rights of women and children.  She is currently serving her second term as a member of the United Nations Permanent Forum on Indigenous Issues representing the region of the Russian Federation, Eastern Europe, Central Asia, and Transcaucasia.